1989 Skowhegan School of Painting and Sculpture, Skowhegan, Maine.
1983 M.A., School of the Museum of Fine Arts/Tufts University, Boston, Massachusetts.
1980 B.A., Harvard University, Cambridge, Massachusetts.

One-Person Exhibitions

2016 Contents Remain Under Pressure, Englewood Art Center, Englewood Florida.
2015 Contents Under Pressure, Pierogi, Brooklyn, New York.
2014 Ladies and Gentlemen, Remain Calm, Clifford Gallery, Colgate University, Hamilton, New York.
2013 Fatty was an Angel, The Front, New Orleans, Louisiana
2012 Formulas For Now, Pierogi, Brooklyn, New York.
2010 Jolly Quagmire, Michael Rosenthal Gallery, San Francisco, California.
Where Boys with Guns Wear Bows in their Hair,  (collaborative show with James Esber in conjunction with Prospect 1.5), The Wesley, New Orleans, Louisiana.
2009Glad All Over, Pierogi, Brooklyn, New York.
2008Border Patrol, AR/Contemporary, Milan, Italy
J. Fiber: World War Me, (collaborative drawing show with James Esber), Pierogi/Brooklyn.
2007Skirmish, Pierogi/Leipzig, Leipzig, Germany.
2006Shock and Awe, Barbara Davis Gallery, Houston, Texas.
Friendly Fire, Bernard Toale Gallery, Boston, Massachusetts.
2004After Sugar Time, Pierogi, Brooklyn, New York. (catalog)
Domo Gallery, Summit, New Jersey
2000Pierogi, Brooklyn, New York.
1996Casey Kaplan, New York, N.Y.
1995Casey Kaplan, New York, N.Y.
1993Hudson Walker Gallery, Provincetown, Massachusetts.
1992White Room, White Columns, New York, N.Y.

Awards & Fellowships

2015The Hermitage Artists Retreat, Manasota Key,  Florida.
2014Pollock-Krasner Foundation Grant
2013Golden Foundation Residency, New Berlin, New York
2011Yaddo, Artist Residency, Saratoga Spring, New York
2010Central City Artist Project, Artist-in-Residence, New Orleans, Louisiana.
2008New York Foundation for the Arts, Fellowship in Painting
2001Pollock-Krasner Foundation Grant
2001Yaddo, Sally and Milton Avery Residency, Saratoga Springs, New York
1998Cité Internationale des Artes, Residency, Paris, France
1998, 1996  Yaddo, Summer Residency, Saratoga Springs, New York
1994New York Foundation for the Arts, Visual Artists Fellowship
1992-1993  Fine Arts Work Center, Fellowship, Provincetown, Massachusetts
1990Millay Colony for the Arts, Austerlitz, New York
1989National Endowment for the Arts, Visual Artists Fellowship

Teaching Experience

2015-2016 Visiting Assistant Professor, Hamilton College, Clinton, New York
2015Fine Arts Work Center Summer Program, Provincetown, Massachusetts.
2012-2013   Skidmore College, Summer Session Instructor, Saratoga Springs, New York.
2009Middlebury College, Middlebury, Vermont, Christian A. Johnson Visiting Artist in Residence.
2009Purchase College, State University of New York, Purchase, New York, Adjunct Lecturer.
2005Bennington College, Bennington, Vermont, Visiting Professor.
2003Rhode Island School of Design, Providence, Rhode Island, Adjunct Assistant Professor.
2002Vassar College, Poughkeepsie, New York, Visiting Assistant Professor.
2002-2003   State University of New York at New Paltz, New Paltz, New York, Adjunct Assistant Professor.
1999-2000   Purchase College, State University of New York, Adjunct Assistant Professor.
1997-1999   School of Art and Design, New York State College of Ceramics at Alfred University, Alfred, New York,
Visiting Assistant Professor of Painting.

Visiting Artist Positions

2014University of Washington, Seattle, Washington.
Hartwick College, Oneonta, New York.
Colgate University, Hamilton, New York.
University of South Carolina, Columbia, South Carolina.
2013Hamilton College, Clinton, New York.
Colgate University, Hamilton, New York.
Tulane University, New Orleans, Louisiana.
Loyola University, New Orleans, Louisiana.
2012Brooklyn College, Brooklyn, New York.
2010California College of the Arts, San Francisco, California.
2008Queens College, M.F.A. Program, Guest Lecturer.
School of Visual Arts, New York, New York.
2007Parsons School of Design, New York, New York. M.F.A. Program, Guest Lecturer.
Middlebury College, Middlebury, Vermont.
2005School of the Museum of Fine Arts, Boston, Massachusetts, Visiting Artist.
University of Vermont, Burlington, Visiting Artist.
Pratt Institute, Brooklyn, New York, Visiting Artist.
Nova Scotia College of Art and Design.
2002Tyler School of Art, Philadelphia, Pennsylvania, Visiting Artist.
2001Fine Arts Work Center, Provincetown, Massachusetts. Instructor, Summer Program.
2000Princeton University, Princeton, New Jersey, Visiting Artist.
Bennington College, Bennington, Vermont, Visiting Artist.
1997Noguchi Museum, Artist-in-the-Schools Program, Queens, New York.
1996University of Massachusetts at Boston, Visiting Artist.
New School for Social Research, New York, Guest Lecturer.

Selected Group Exhibitions

2016The Best of Both Worlds, Geoffrey Young Gallery, Great Barrington, Massachusetts
Rage for Art (Once Again), Pierogi, New York, New York.
Group Show, Kirkland Art Center, Clinton, New York.

2015New Faculty Exhibition, Hudson D. Walker Gallery The Fine Arts Work Center, Provincetown, Massachusetts.
Summer Faculty Exhibition, Skidmore College, Saratoga Springs.

2014Pierogi XX: 20th Anniversary Exhibition, Pierogi, Brooklyn, New York
Idiom, Pierogi, Brooklyn, New York

2013Made in Paint, The Sam & Adele Golden Gallery, New Berlin, New York
Unhinged, Pierogi, Brooklyn, New York
Summer Faculty Exhibition, Skidmore College, Saratoga Springs, New York
Necessary Strangers, AdventureLand, Chicago, Illinois.

2012I M A G E / C L O T, Zolla/Lieberman Gallery, Chicago, Illinois.
Cloud Nine, The Front Room, Brooklyn, New York.
Drawing the Mind, Osilas Gallery, Concordia College, Bronxville, New York.

2011Melt, Tang Museum, Saratoga Springs, New York
Counterpart, The West Collection, SEI Corporate Campus, Oaks, Pennsylvania.
Lady Gaga Could Shop Here, Michael Rosenthal Gallery, San Francisco, California.
Williamsburg 2000, Art 101, Brooklyn, New York.
Thinking Through Drawing, The Macy Gallery, Teachers  College, Columbia University, New York.
Subjective/Objective, Pierogi, Brooklyn, New York.

2010Prospect 1.5, J. Fiber in Collaboration with Central City Artist Project, The Wesley, New Orleans.
Zeichnungen, Graphiken und Fotografien aus New York und Leipzig, Kunstmühle, Mürsbach, Germany.
Mutant Anxiety, Michael Rosenthal Gallery, San Francisco. California.

2009Eye World, Triple Candie, New York, New York. (catalog)
Cream no Sugar, Pierogi/Brooklyn, Brooklyn, New York.
Annual Biennial, Michael Rosenthal Gallery, San Francisco, California.
Content/Discontent; Friederike Taylor, New York, New York.

2008Pierogi, et. al., Daniel Weinberg Gallery, Los Angeles, California.
Art on Paper, Weatherspoon Art Museum, Winston-Salem, North Carolina. (catalog)
Future Tense, Neuberger Museum of Art, Purchase, New York. (video catalog)
Apocalyptic Summer, Pierogi, Brooklyn, New York.

2007Ho Hum All Ye Faithful, Bravin Lee Programs, New York, New York.

2006Subverting the Status Quo, Axis Gallery, Sacramento, California.
100 Artists, 100 Watercolors, Jeannie Freilich Fine Art, New York, New York.

2005New Turf, curated by Evelyn Hankins, Fleming Museum, University of Vermont, Burlington,Vermont.
Pie Fight, AR/Contemporary Gallery, Milan, Italy.
Opening Bloom, Barbara Davis Gallery, Houston, Texas.
Reconfigure, Pierogi, Brooklyn, New York.
Faculty Show, Usdan Gallery, Bennington College, Bennington, Vermont.
American Obsessive Drawing, Völcker and Freunde, Berlin, Germany. (catalog)

2004Open House, The Brooklyn Museum of Art, Brooklyn, New York. (catalog)
Vacation Nation, Pierogi, Brooklyn, New York.

2003BAM Next Next Wave Art, curated by Dan Cameron, Brooklyn Academy of Music, New York.
In Heat, Pierogi, Brooklyn, New York.
My Mother’s An Artist, curated by Sheila Pepe, Educational Alliance Gallery, New York. (catalog)
Works on Paper, Völcker & Freunde, Berlin, Germany.
Paintings, Drawings, Sculptures, Greener Pastures Contemporary Art, Toronto, Ontario.

2002Hungry Eyes, Dalhousie Art Gallery, Halifax, Nova Scotia. (catalog)
Blobs, Wiggles and Dots, curated by Lucio Pozzi, The Work Space, New York.
The Brooklyn Rail, Selection I, curated by Phong Bui, Wythe Studio, Brooklyn, New York.
25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, New York.
Touchy Feely, Eyewash @ The Front Room, Brooklyn, New York.
Inter-sex-tion, DNA Gallery, Provincetown, Massachusetts.
Need to Know Basis, Geoffrey Young Gallery, Great Barrington, Massachusetts.

2001Pop Science (3-person show), g-module, Paris, France.
New Prints, Fall 2001, International Print Center, New York, New York.
Out of Hibernation, Im in Il, Brooklyn, New York.
Compelled, Hunterdon Art Museum, Clinton, New Jersey. (catalog)
Small Works, Cape Museum of Fine Arts, Dennis, Massachusetts.
Minimal to Excess, Bucheon Gallery, San Francisco, California.

2000Haulin’ Ass, Post Gallery, Los Angeles, California.
Superduper New York, Pierogi 2000, Brooklyn, New York.
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina.
@ , P.P.O.W., New York, New York.
Multiple Sensations, Yerba Buena Center, San Francisco, California.
Selections, Eyewash, Brooklyn, New York.
Drawing, Usdan Gallery, Bennington College, Bennington, Vermont.
Yaddo Centennia, Art in General, New York; traveled to The Hyde Collection, Glens Falls, New York.

1999Fields (3-person show), P.P.O.W., New York, New York.
Hard Cell, Vilma Gold Gallery, London, England.
The Flat Files (Organized by Pierogi 2000), Rosenwald-Wolf Gallery, University of the Arts, Philadelphia.
Valentine, Eyewash, Brooklyn, New York.
Range, Chancellor’s Gallery, State University, Albany, New York.

1998Industrial Strength, Warehouse, Exit Art, New York, New York.
Pierogi Goes to College, Vassar College, Poughkeepsie, New York.

1997Current Undercurrent, The Brooklyn Museum, Brooklyn, New York.
Redefinitions: A View from Brooklyn, Fullerton Museum, California State University, Fullerton, California.
New York Drawers, Gasworks, London; traveled to Cornerhouse, Manchester, England.
“…Just What Do You Think You’re Doing Dave?”, Williamsburg Art and Historical Center, Brooklyn, N.Y.

1996Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, Missouri.
Central Industrial Supply Show, Central Industrial Supply, New York, New York.

1995Jane Fine, Joanne Greenbaum, John-Paul Philippe, Arena, Brooklyn, New York.
Wacko, The Work Space, New York, New York.
Works for a Funhouse, E.S.Vandam, New York, New York.
Other Rooms, Ronald Feldman Fine Art, New York, New York.
Close Proximity, Marymount Manhattan College Gallery, New York, New York.

1994Paintings, Friedrich Petzel Gallery, New York, New York.
The New Pop, Leo Tony Gallery, New York, New York.
Spirit of New York, Spazio Emilo de Marchi, Milan, Italy.
Atelier 94, Florence Lynch Fine Art Projects, New York, New York.
Crest Hardware Show, Brooklyn, New York.
Animated, Art in General, New York, New York.

1993Pure Pop for Now People, Jack Tilton Gallery, New York, New York.

1992Update 1992, White Columns, New York, New York.
The Salon Show, Art in General, New York, New York.
Salon of the Mating Spiders, Herron Test Site, Brooklyn, New York.

1991High Density Abstraction, Procter Art Center, Bard College, Annandale-on Hudson, New York.

1988Selections 42, The Drawing Center, New York, New York.



Zachary Keeting and Christopher Joy, Gorky’s Granddaughter,, October 2016.
Loren Munk, James Kalm Rough Cut,, December 2015.
D. Eric Bookhardt, Review: Works by Chris Guarisco, James Esber and Jane Fine, Best of New, March 19, 2013.
Eric Gelber, Jane Fine in Melt at The Tang,,  July 24, 2011 &  The New York Sun, July 27, 2011.
Oliver van Essenberg, Graue Mappen, bunte Fülle in der Kunstmühle, Fränkischer Tag, June 29, 2010.
Kenneth Baker, Fine Shines at Rosenthal, San Francisco Chronicle, April 3, 2010.
Will Corwin, Jane Fine, Art Papers, January/February 2010, Vol. 34, No. 1, p. 64.
Stephen Maine, Jane Fine/Pierogi, Art in America, December 2009, Vol. 97, No. 11, p. 140.
Patrick Knowles, “Mutant Anxiety”: Angst, Woes in Colorful Veins, San Francisco Chronicle, December 31, 2009.
Jim Supanick, “Makin’ Whopee: A Conversation with J. Fiber; James Esber and Jane Fine,” The Brooklyn Rail, April 2008, pp. 29 – 33.
Iris Marble Cushing, “J. Fiber in Brooklyn,”, published March 27, 2008.
Owen Roberts, “J. Fiber and Yoon Lee at Williamsburg’s Pierogi,” Gowanus Lounge (, March 20, 2008.
Jane Fine: Border Patrol, USB Magazine, February 2008, p. 48.
Jane Fine: Border Patrol,, January 2008.
Pamela Polston, Finding her Place, Seven Days, July 13, 2005.
Benjamin Genocchio, What is War Good For? Art, The New York Times, January 9, 2005.
Gregory Volk, Big Brash Borough, Art in America, September 2004, No. 8, pp. 93-97 and 142.
Holland Cotter, Brooklyn-ness, a State of Mind and Artistic Identity in the un-Chelsea,  The New York Times, April 16, 2004.
Galleries: Brooklyn – Jane Fine/Reed Anderson, The New Yorker, April 19 & 26, 2004.
Ken Johnson, Art in Review: Jane Fine: After Sugar Time, The New York Times, April 2, 2004.
Stephen Maine, Dateline Brooklyn,, April 2004.
My Mother’s An Artist, The New Yorker, May 26, 2003.
Sarah Hartland-Rowe, Around and About Painting, Border Crossings, Volume 22, No. 1, Issue 85.
Sarah Hollenberg, Hungry Eyes, The Brooklyn Rail, Winter 2003.
Alice Burdick, Hungry Eyes, Arts Atlantic, Spring 2003, No. 74.
Elissa Barnard, Abstract Art New Again, Halifax Herald Ltd., November 17, 2002.
Monica Tap, Hungry Eyes (catalog essay), Dalhousie Art Gallery, Nova Scotia, 2002.
Holland Cotter, Last Chance: The Brooklyn Rail: Selection 1, The New York Times, March 1, 2002.
Faye Hirsch, Working Proof: Jane Fine, Art on Paper, Volume 6, Number 4, March – April, 2002.
Dan Bischoff, The Labor Defines the Art in Hunterdon, Newark Star Ledger, September 30, 2001.
Audrey Techer, Americans in Paris, Post: Review of Contemporary Art, No. 5, February 2001.
Holland Cotter, For Hikers Seeking Art Brooklyn is a Left Bank, The New York Times, Dec. 15, 2000.
Galleries – Brooklyn: Jane Fine, The New Yorker, November 27, 2000.
James Kalm, Jane Fine @ Pierogi, NY Arts, Volume 6, Number 1, January 20001.
Giovanni Garcia-Fenech, Brooklyn Spice,, January 5, 2001.
Dorothy Krawoska, A Brief Look at Jane Fine’s Recent Show at Pierogi,, Dec. 21, 2000.
Carol Vogel, Inside Art, The New York Times, June 9, 2000.
Rachel Youens, The Local Scene, The Brooklyn Rail, Issue 43/44, December/January 2000/2001.
Cathy Curtis, A Bridge to Brooklyn, The Los Angeles Times, November 18, 1997.
Daniella Walsh, Brooklyn Art Pays a Visit to Fullerton, The Orange Country Register, November 23, 1997.
Roberta Smith, Palettes Full of Ideas About What Painting Should Be, The New York Times, November 1, 1996.
Roberta Smith, Art in Review: Jane Fine, The New York Times, April 14, 1995.
Stuart Servetar, Jane Fine, New York Press, April 12, 1995.
Stuart Servetar, The New Pop, New York Press, July 6, 1994.
In volo “spiriti” newyorkesi, Lombardia Oggi, June 26, 1994.
Marina Mojana, Scoprendo l’America a Milano, Il Sole 24 Ore, June 19, 1994.
Stuart Servetar, Animated, New York Press, June 1, 1994.
Roberta Smith, Shades of a Rebirth for Painting, The New York Times, June 18, 1993.
Lo Spirito di New York, L’Informazione, June 14, 1994.
Kim Levin, Choices, Village Voice, June 23, 1993

Public Collections

The Tang Museum at Skidmore College
The Neuberger Museum of Art
Fogg Art Museum/Harvard University Museums
The West Collection
The Aspen Collection
The Chaney Family Collection
Progressive Corporation
Fidelity Investments
The Graham Gund Collection
Saks Fifth Avenue Collection